Visualizing Eternity in Walt Whitmans Song of Myself Essay

Visualizing Eternity in Walt Whitmans Song of Myself Whitmans poem Song of Myself #44 stands as a confession and testaments of not only who he is and what he is, but also as who we are, we being people in general. The poem is not about a self-idolizing author claiming to be the greatest being of all time. Instead it paints a picture for all mankind alike to relate to. It puts a mirror in front of the world and presents an angle of an image that, though familiar, we have never seen or realized before. In the very beginning of the poem, Whitman addresses the world upon a pedestal, asking them to stand and explore with him the unknown. And what is unknown is eternity and the meaning of life. From this beginning there†¦show more content†¦He indicates that all people are equal; no one is better or worse than the other, as eternity and time, the ever-present force, makes us all equal. Whitman continues this idea in the following lines with Were mankind murderous or jealous upon you my brother or my sister?(1144). He is addressing his fellow man, whether man or woman, almost as if they are dead, having already lived their lives and now reflecting upon it, perhaps in some sort of afterlife. He sympathizes with those that suffer through the world under heavy, unnecessary grief and pain, like the scorn from others as well as the loss of loved ones, but he himself cannot share their pain, having never experienced these hardships. Line 1148 presents an interesting perspective, that which I had not thought of before. At first glance it can sound like Whitman is suffering from a messianic complex of some sort, which maybe he was, one can never say. But upon further and deeper reading, it came to mean something else. At every moment in our lives, we make the future. The future is constantly ahead of us, and we fill its existence with our life and time, making it the present, then it ultimately fades into the past. Here Whitman says I am an acme of things accomplished, and I am encloser of things to be./ My feet strike an apex of the apices of the stairs,(1148-9). He says that we are the culmination of time.

The 19th Century The Nineteenth Century - 1333 Words

The 19th Century Political The youth of today can hardly compare to those of 200 years ago. As a matter of fact, under Common Law, a person between the ages of eight and fourteen could have been considered an adult (Blackstone, W., 1760). At the turn of the century the Revolutionary War occurred barely twenty years earlier and was actually still going on in places like Louisiana. Youth of that day had probably taken part in the war in one form or another which caused them to mature at a faster rate. This, coupled with an agrarian society and different social norms, had children as young as fifteen married and having children of their own (Hacker D. J., 2003). The age distinction we place on juveniles today would not have been applied at†¦show more content†¦As industry increased in the growing urban centers there was a need for cheap labor, and since federal child labor laws were not implemented until 1916, orphanages became a primary source of forced labor (Clark-Bennett, R., et al. 2004). These chi ld work centers did not treat the children as employees but rather paid the orphanage owners similar to the Convict Lease programs of the post Civil War South. Lack of adult supervision and freedom to move about these new industrial hubs lead to increased juvenile delinquency as we know it today. After all, what repercussions were there to deter delinquency, the children were already in a reformatory. The 20th Century Political As America fell into the Great Depression in 1929, President Roosevelt placed political emphasis on employing adults. This returned children, 18-20 percent who were used to working, back to being the idle poor (Yellowitz, I., 2017). This, coupled with the lack of state enforcement of mandatory school attendance, exacerbated the juvenile delinquency rate and increased the number of juvenile offenders (Thompson Reuters, 2017). The concept of the judicial system acting as â€Å"parens patriate†, literally translated â€Å"Parent of the Country†, when dealing with juvenile offenders, gained momentum in the early 20th century (TLS, 2015). Unfortunately, it wasn’t until later in the century that the term Juvenile was broadly defined asShow MoreRelatedMinstrel Shows and Theater856 Words   |  3 PagesThe 19th century was a time period full of disagreements and wishful thinking. During this time, African Americans were trying to become free from slavery. This led to a Civil War. 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Succubus Dreams CHAPTER 20 Free Essays

string(207) " what does learning or changing have to do with anything\? Isn’t it a done deal\?† I didn’t like the censuring tone in his voice, like I’d done something wrong by having these palms\." I didn’t expect to hear from Dante so quickly. Based on what he’d said about the difficulty of the Nyx-charm, I’d figured it would be a while – if at all. Hugh’s observations on the matter had only reinforced my growing skepticism about Dante’s abilities. We will write a custom essay sample on Succubus Dreams CHAPTER 20 or any similar topic only for you Order Now â€Å"I’ve got your protection,† Dante told me on the phone. â€Å"Or at least as close as I can get. You want it, come pick it up.† He disconnected. I drove to Rainier Valley, finding Dante’s shop empty as usual. â€Å"Guess you don’t see a lot of business so close to Christmas, huh?† â€Å"Actually,† he told me, emerging from the back room, â€Å"you’d be surprised at the kind of desperation the holidays can bring out in people. Here, catch.† He tossed me something baseball-sized. I caught it, feeling a little disappointed when I studied it closer. It looked like a wicker ball, made of very thin, dark branches. Through the gaps, I could make out a few things inside. One looked like a rock. Another looked like a feather. The whole thing rattled when I shook it. â€Å"This is it?† I asked. â€Å"This is going to keep away an uber-powerful dream entity? It looks like a prop from The Blair Witch Project.† â€Å"It can’t force her away,† he said. â€Å"Nothing can. But it might make her think twice. It’s more of†¦a repellent.† â€Å"Like citronella?† He rolled his eyes. â€Å"Yes, like citronella. Depending on her energy charge, she might blow past it. If she’s weak enough†¦well, it might hold her back.† I examined the ball again. It still didn’t look like much to me. I sensed no power or magic off of it, but not all objects had an aura I could sense. For reading inanimate items, a psychic mortal tended to be more adept than a lesser immortal. My silence appeared to further annoy Dante. â€Å"Look,† he snapped. â€Å"You don’t have to use it, but it took a fuckload of power for me to craft it, okay? It’d be nice if you could maybe withhold your customary sarcasm for a whole five minutes to thank me.† â€Å"My customary sarc – â€Å" I stopped the burst of temper starting to flare in me. Dante ranked near the top of my list of cynical acquaintances, but I wasn’t exactly Pollyanna myself. I’d given him nothing but a hard time since I first came to him for help. And now, studying him, I noticed he was pale and tired-looking. His eyes were bloodshot. The ball might be worthless, but he’d clearly exerted some sort of effort in making it. â€Å"You’re right,† I said. â€Å"I’m sorry. Thank you. Thank you for this.† His eyebrows rose, and I could actually see the self-control it took for him not to mock my sincerity. He nodded. â€Å"You’re welcome.† We each waited for the other to speak. I don’t think we knew what to do without the sarcasm. â€Å"So†¦did you find your angel friends?† â€Å"No. I apparently need a fucking Bat Signal or something. Jerome’s gone too. Hugh – this imp friend of mine – could get a hold of him, but it’d probably piss Jerome off if we were wrong about all this.† I scowled, recalling the conversation in the deli. â€Å"Anyway, Hugh’s pissing me off right now, so I don’t even know if I want his help.† Dante smiled. â€Å"I thought succubi were supposed to make friends everywhere they went. Or is that a myth like the bat wings and flame eyes?† â€Å"He’s just being an asshole about Seth.† Dante looked at me expectantly. I sighed. â€Å"He thinks us dating is a waste of time. And not because of the sex thing. He thinks I’m going to get hurt.† â€Å"Terribly altruistic of an imp. But then, considering your quasi-morals, I’m starting to think it’s a bad idea to assume anything about you guys.† He took a few steps toward me and playfully tapped my nose. â€Å"And what about you? Do you think you’re going to get hurt?† â€Å"No. And if I do, that’s for me to deal with. Hugh shouldn’t be worrying about it. And he shouldn’t make Seth worry about it either!† â€Å"Don’t get so upset about people worrying about you. It means they care. If enough of us were like that, there’d be a lot less pain in the world.† That was an unexpected observation from Dante. â€Å"Maybe. But there’d also be a lot less unnecessary stress.† He chuckled and caught hold of my hand. Flipping it over, he looked at the palm. â€Å"A random assortment of lines for this body?† he asked. I nodded. â€Å"Can you change it to your original?† â€Å"What, so you can read it? I thought this was a bunch of bullshit.† â€Å"Sometimes.† I waited for more, but it didn’t come. His gray eyes were serious and thoughtful as they met mine. Something in them compelled me, and with great reluctance, I shape-shifted my hands back to the ones I’d been born with. I hadn’t worn my original body since the day I’d become a succubus, and this small change felt unnatural. I hated this form. While my original hands weren’t gargantuan, they were larger than was proportional to this petite frame I carried and appeared weird and mismatched. Dante held my hands in his and glanced back and forth between the palms. After just a few seconds, he snorted and dropped them both. â€Å"Surprise, surprise.† I shape-shifted them back to the way they had been. â€Å"What?† I asked. â€Å"Right-handed?† â€Å"Yeah.† He pointed to the left hand. â€Å"Those lines represent what you’re born with – your inherent traits. The right hand is the hand that shows how you grow and change and adapt to what you’re born with. Nature and nurture.† â€Å"So?† â€Å"Yours are identical on both hands. Your heart line is high on the palm – which means you have an intense, passionate nature. No surprise there. But it’s broken into a million pieces. Sliced and diced.† He tapped my left hand. â€Å"You were destined for heartache.† He tapped my right hand. â€Å"And you are going to repeat that pattern forever. You aren’t learning. You aren’t changing.† â€Å"If I’m destined for it, then what does learning or changing have to do with anything? Isn’t it a done deal?† I didn’t like the censuring tone in his voice, like I’d done something wrong by having these palms. You read "Succubus Dreams CHAPTER 20" in category "Essay examples" â€Å"Don’t start,† he said. â€Å"I’m not a philosopher and don’t want to get into any pre-destination or free-will debates. Besides, palm reading is a bunch of bullshit.† â€Å"Yeah,† I said dryly. â€Å"So I hear.† To my surprise, Dante put his arm around me and drew me close in a sort of half-hug. â€Å"Be careful, succubus. You’ve got a mess o’ dangerous things in your life right now. On all fronts. I don’t want to see you get hurt either.† I stayed in the embrace and rested my head on his chest. â€Å"When did you get so nice? Are you still trying to get me into bed?† â€Å"I’m always trying to get you into bed.† He pressed a kiss to my forehead, to my nose, and then to my lips. â€Å"But I kind of like you too. Just watch out.† I drove home after that, a bit confused over Dante’s surprising behavior. Thinking about him, I soon arrived in Queen Anne before I knew it. I found neither Vincent nor the angels in my apartment and decided to go to the bookstore. I had today off too, but I knew they were busy and could use the extra help. I needed the distraction. Just before closing, Seth called my cell and asked if I could pick him up at his brother’s. He and Terry had indeed gone to see the movie, but Seth’s car was actually here in Queen Anne and he needed a ride now since Terry had originally picked him up. I finished what I was working on in my office and headed out. Terry and Andrea greeted me warmly when I showed up, reminding me to come to Christmas dinner – even though I’d long since told them I’d be there. They always regarded my relationship with Seth as a tenuous, fragile thing (which it was) and felt compelled to do all they could to protect it. The girls were as thrilled as always to see me, and they assaulted me with questions and chatter. All except Kayla. She’d apparently gotten to stay up late tonight. In some ways, her silence wasn’t surprising. Aside from the startling conversation the other night, she almost never spoke anyway. But usually, she’d come forward with the other girls to see me. Tonight, she simply stayed on the couch, watching me solemnly. When Seth made motions to leave, I broke from the girls and went over to Kayla. â€Å"Hey, you,† I said, sitting down beside her. â€Å"How’s it – â€Å" I hadn’t touched her, but Kayla suddenly jerked away from me as though she’d been burned. Backing up, she scrambled off the couch and tore out of the room. We heard her small footsteps on the stairs as she ran to her room. Startled, I looked at the others. â€Å"What did I do?† â€Å"No idea,† said Andrea, puzzled. â€Å"She’s been fine all night.† â€Å"Something must have gotten into her,† said Terry. â€Å"No telling with kids. Especially with girls.† He mussed Kendall’s hair, and she yelped. Everyone promptly forgot about Kayla and continued to make farewells to Seth and me. I spoke to them half-heartedly, though. Kayla was always happy to see me, and last time, she’d demonstrated a special trust and belief in me. Tonight, she had looked at me with abject terror. Why? Was it a little girl mood? Or was there something hanging on me from another plane that I couldn’t see? Just before we left, I asked if I could go say good-bye to Kayla and give talking to her another shot. Upstairs, I found her curled into a corner of her bed, clutching the unicorn. Her eyes widened in terror when she saw me, and I stopped in the bedroom door. â€Å"Hey,† I said. â€Å"You okay?† No answer, just wider eyes. â€Å"I won’t come any closer,† I said. â€Å"Promise. But, please†¦just tell me. What do you see? Why are you afraid of me?† For a moment, I didn’t think she’d answer. Then, finally, she spoke in a voice I could barely hear. â€Å"You’re bad,† she whispered. â€Å"Why are you so bad?† That wasn’t what I’d been expecting. I’d thought maybe she’d tell me there was a ghostly hag hovering above my head. Something in Kayla’s words made my stomach sink. I knew I was evil – it was kind of the definition of a Hellish servant. I lived day to day with my eternal task, seducing and corrupting men. But somehow, a little girl telling me I was â€Å"bad† hit me harder than the cruelest, most profane accusation could. Without another word to her, I headed back downstairs. As I drove Seth back to my place, I gave him the scoop on the angels and my subsequent lack of progress. â€Å"You’ve got some creature stalking you, and you decided to go into work?† He sounded both amused and exasperated. â€Å"You might as well have gone to the movie with me.† â€Å"Oh.† I felt kind of stupid. â€Å"I didn’t want to interrupt any brotherly bonding.† â€Å"And,† he added, â€Å"you forgot.† â€Å"I never forget about you,† I said stoutly. â€Å"But I was kind of distracted.† â€Å"Funny how that’s never a good excuse when the roles are reversed†¦Ã¢â‚¬  My apartment was still empty when we got there. I left my coat and Dante’s charm in my bedroom and then went to sit on the couch with Seth. â€Å"I hate waiting,† I told him. â€Å"Why does this always happen? Some big, supernatural crisis pops up in my life, and I always end up sitting around and feeling useless. I’m always dependent on others.† â€Å"No, you aren’t,† he said, lacing his fingers through mine. â€Å"You’re wonderful and capable. But you can’t do everything.† â€Å"I just wish I could do something else besides shape-shift and look good. I wish I could, I don’t know, shoot laser beams out of my fingers or something.† â€Å"You think that’d stop Nyx?† â€Å"No. But it’d be cool.† â€Å"Me, I always wanted frost power.† â€Å"Frost power?† â€Å"Yeah.† Seth gestured dramatically toward my coffee table. â€Å"If we’re talking superhero abilities. If I had frost power, I could wave my hand, and suddenly that whole thing would be covered in ice.† â€Å"Not frost?† â€Å"Same difference.† â€Å"How would frost and/or ice power help you fight crime?† â€Å"Well, I don’t know that it would. But it’d be cool.† I laughed and snuggled into Seth, feeling better. I could wait this out. â€Å"Are you hungry?† I asked him. â€Å"Yasmine and Vincent have been waging their own version of Top Chef around here.† We went to the kitchen and found it stocked with more food than it had ever had since I moved in. I unwrapped a plate of what appeared to be slices of freshly baked shortcake. Seth pointed to the refrigerator. â€Å"If there are strawberries in there, it’s proof of God’s existence.† I opened the door and peered around. â€Å"Get ready for a religious experience,† I told him, pulling out a bowl of chopped-and-sugared strawberries. With the other hand, I pulled out a larger bowl covered in plastic wrap. â€Å"And homemade whipped cream.† â€Å"Hallelujah,† he said. We piled plates high with shortcake and strawberries, and suddenly, dream entities seemed downright comical. I unwrapped the whipped cream, and Seth promptly dabbed a finger in it. â€Å"Savage,† I scolded. â€Å"Heavenly,† he countered, licking off the cream. He stuck another finger into the bowl and held it out to me. I leaned forward and ran my tongue over the tip. Rich sweetness flooded my mouth. â€Å"Mmm,† I said, closing my eyes. â€Å"Mmm,† said Seth. I opened my eyes. â€Å"Are you talking about the whipped cream?† â€Å"Not exactly.† â€Å"You talking about this?† There was still whipped cream on his finger. I took it into my mouth and sucked gently on it, cleaning up the last of the cream and stroking Seth’s skin with my tongue. When I finished, he exhaled a held breath. â€Å"Thanks for the cleanup.† â€Å"Cleanliness is next to godliness, I hear.† â€Å"I think I have more on me, though,† he said. â€Å"Really?† I asked. â€Å"Where?† He swiped his finger through more whipped cream. â€Å"Right here.† I licked that off too, sucking and kissing all of the fingers on his hand – not just the guilty one. Finished, I flipped the hand over and kissed the top of it. â€Å"There. Sparkling clean.† Seth shook his head. â€Å"Oh no.† â€Å"What?† â€Å"You’ve got some on you too.† â€Å"Do I? Where?† He dipped into more whipped cream and dabbed it on my lips, my chin, and the side of my throat. â€Å"Everywhere,† he said. Before I could formulate a response, his mouth was on my neck, licking and kissing with as much sensuality as I had just used on his fingers. The eroticism of it astounded me – and I was hardly one to be caught by surprise with such things. I instinctually moved my body toward his, arching my neck back as his lips continued moving up. I felt his tongue, warm and amazingly skilled, clean up every drop of the whipped cream on my throat before sliding to my chin and finally to my mouth. We kissed harder, dessert (of the food nature) now forgotten. I felt his lips fit perfectly with my own. My back was against the counter, and Seth pressed his body against mine, trapping me. When I finally pulled back from the kiss, I could scarcely breathe. â€Å"Wow,† I said, eyes wide. â€Å"This is why I don’t cook. It only leads to trouble.† Seth, still right against me, glanced left and then right. There was a heated, feral look in his eyes that made me shiver. â€Å"I don’t see anything too bad happening.† â€Å"Not yet,† I admitted. â€Å"But you know the drill.† He shrugged. â€Å"Yeah. But nothing bad is happening now.† â€Å"It will if we – mmphf!† Seth was kissing me again, and this time his arms went around my waist, pulling us closer still. I wrapped my own arms around his neck, tilting my face upward to get more of the kiss. It was hot and dangerous and amazing, and I couldn’t get enough. I knew, though, that I’d have to get enough of it pretty quickly here and was contemplating how to stop it when Seth broke away first. â€Å"Ah,† I teased. â€Å"You’ve come to your senses.† Seth smiled at me, and my heart raced at the juxtaposition of the animal desire and trademark laidback look on his face. â€Å"Nope,† he said. â€Å"Let’s see how far we can go.† â€Å"You already know,† I said. â€Å"We’ve timed this before.† That was a bit of an exaggeration. We’d never had a stopwatch or anything, but we’d gained a good sense of how long and how deep a kiss could go before it was time to part. He shook his head. â€Å"Not kissing. This.† I wore a black tank top with a red cardigan over it. Seth reached out and unfastened the sweater’s three large buttons and pulled it off of me. Letting it drop to the floor, he then rested his hands on my arms, fingers warm against my bare skin. He looked at me expectantly. â€Å"We’re timing how quickly you can take off my sweater?† I asked. â€Å"Wrong answer. It’s not always about you.† Removing his hands, he caught the bottom edge of his Cap’n Crunch T-shirt and pulled it over his head. He’d pulled me to his chest before it even hit the floor, and suddenly, I was face to face with golden, delicious-smelling Seth skin. Lots of it. Resisting the urge to start kissing his chest then and there, I looked up into his face and attempted levity. â€Å"Is this like strip poker? Except†¦without the poker part?† â€Å"This, Thetis,† he said, grabbing the edge of my tank top, â€Å"is a test. A test to see how far we can go on all dimensions. Not just kissing.† I should have stopped him, but the feel of his hands sliding up my torso was too intoxicating. The tank top went over my head and joined the other clothing on my kitchen floor. I laughed. â€Å"So†¦we know how much kissing we can do. Now you’re trying to see how much naked we can do?† â€Å"Yes,† he said. He was attempting a dignified air. â€Å"It’s a scientific experiment.† â€Å"Mostly it seems like you pulling off my clothes.† â€Å"That’s part of it. We know how much we can kiss. But can we kiss naked? How long can we kiss naked? Is it the same?† â€Å"I don – â€Å" Again, he cut me off with a kiss, and my whole body tingled as my breasts pressed up against his chest. There was nothing between us, just skin on skin, and it was incredible. Between that and the kiss, I felt dizzy. And so, Seth’s experiment progressed. He removed articles of our clothing one at a time, then would kiss me, pause, and examine the results. When we were both completely naked, he stepped back and admired my body, his face gleeful and smug. â€Å"I don’t think the succubus thing is working,† he said. â€Å"Oh, it works, believe me,† I said, suddenly nervous. Every inch of me wanted to be touched and caressed and ravaged. My skin burned. And the hunger within me – the instinct that urged me to feed off human energy – was raging, realizing just how close it was to dinnertime. This had started out as an amusing game, but it now occurred to me how dangerous this had become. â€Å"It’s less about naked and more about us not kissing so much. Remember that time we started making out in bed? I got some of your energy then, and we were dressed. Push this enough – or start doing things with other parts of our bodies – and it’ll be game over.† I stepped back and reached for my shirt. â€Å"But you made good scientific progress tonight, I’ll give you that.† Seth caught my wrist before I could get the shirt. He pulled me back to him. â€Å"Just a little bit more. Just to see.† He still had the same intensity and arousal all over him. I’d seen it in him before but never like this. â€Å"What more is there?† I asked. â€Å"Just one more kiss,† he said, feigning innocence. â€Å"A†¦parting kiss.† â€Å"Oh good grief.† â€Å"One kiss, Thetis. That’s it.† I hesitated, then nodded. â€Å"Okay. Fine. But I’m onto you, so don’t think you can get away with anything here.† â€Å"Noted.† At least that’s what I think he said because it came out kind of muffled with his mouth crushing mine. I was pressed back against the counter again, and his hand was moving down my ass, down the back of my thigh. We were so close. So, so close. We’d never been this close, this naked, before. We’d certainly never been this naked and kissing before. I felt alive and on fire, craving him both as a succubus and a woman in love. The floodgates burst, and all the passion we kept restrained flowed forth. I could feel him, how hard he was and how much he wanted me. My own body responded in kind, pushing closer and grinding against him. His hand on the back of my thigh tensed and then pulled my leg up. It was barely around his hip when I felt†¦it. It. Seth’s life. Sweeter than kissing, sweeter than whipped cream. It came into me pure and bright, unlike anything else I’d ever tasted – well, other than the last time I’d stolen some from him. I would have moaned if my mouth wasn’t preoccupied. Reason seized me, and I did my best to squirm free. My best wasn’t good enough, and all I could do was slide my mouth away from his. He simply moved down, kissing my neck. The energy didn’t stop. â€Å"Seth. Seth. We made the point. We saw how far we can go.† His eyes, full of so much longing and passion, held mine. â€Å"Please, Georgina†¦we’re so close†¦just this once†¦Ã¢â‚¬  We were so close. Too close. â€Å"No.† I pressed my palms to his chest. â€Å"Seth! Stop.† I shoved hard. â€Å"Stop!† I broke free all at once and staggered a few feet back, my hand catching the counter for support. The energy transfer cut off abruptly. He reached out a hand to help steady me, but I stayed out of reach. â€Å"Are†¦are you okay?† he asked. â€Å"I’m fine,† I said, breath heavy. â€Å"But you aren’t. I got a little – a little of your energy.† â€Å"A little is nothing.† â€Å"Not to me,† I said, still keeping my distance. â€Å"It’s not your energy,† he said. His eyes were still heated and hungry. â€Å"It’s mine. And I think it was worth it.† He took a step forward. â€Å"And I’d think it was worth it, even if I lost more.† I held out my hand, palm-first. â€Å"Stop. Don’t come closer. I don’t trust you.† His expression became less aroused and more dumbfounded. â€Å"You†¦don’t trust me? I never thought I’d hear you say that.† â€Å"That’s not what I meant. Exactly. I mean, I don’t know. I don’t think you’re going to rape me or anything, but you’re†¦uh, persuasive. And you haven’t been yourself lately. Ever since you got shot. You’ve been†¦I don’t know. Risky. Like you’re having a mid-life crisis.† â€Å"I’m having a life crisis, Thetis. I don’t want to be one of those people who discovers on my death bed that I didn’t do anything. Why can’t you understand this? You’re so quick to encourage Maddie to do exciting things, but you’re still trying to protect me.† â€Å"It†¦it’s different.† â€Å"How?† he asked. â€Å"Why is it okay for her to take risks but not me?† â€Å"Because there’s a big difference between going rock climbing and sleeping with someone who’s going to take years off your life. How long is this phase going to last? You always said it wasn’t about sex between us.† â€Å"It’s not,† he said stoutly. â€Å"Not at all. I love you for†¦so many reasons. More than I can even begin to describe. But I don’t want to die never having touched you. Really touched you.† I stared. He was serious. How could he say he didn’t want to die without touching me when touching me would only lead him closer to death? â€Å"You’re only saying this because you haven’t had sex in so long,† I accused. â€Å"You got all turned on and now you’re not thinking straight.† â€Å"I am turned on,† he agreed. â€Å"By you. The woman I love.† He took another step toward me but still stayed far enough away so we didn’t touch. â€Å"I want you, Georgina. So badly it kills me. I know you want me too. How can we go on being afraid of something we never tried? I’ll take a hit for it, yeah, but if we go on for years†¦without ever knowing†¦Ã¢â‚¬  He shook his head and sighed. â€Å"Please, Georgina. Just this once. Let us be together – really together.† I swallowed. He was so earnest. So sweet. So sexy. And so help me, he sounded reasonable. The calm way he spoke almost made me believe it didn’t matter, that if I gave in and let our bodies come together, the loss would be small and inconsequential. I looked into his eyes and tried to convince myself of his rationalization, bringing up what Carter and others had said. That it was Seth’s choice to make, nothing for me to worry about. But, of course, it was. â€Å"No,† I said. â€Å"I can’t. Please, Seth. Don’t do this. Don’t look at me like that. I love you too – so, so much. But we can’t do this. I’m telling you, you just need to have sex. Go out and find someone – anyone. It doesn’t matter. I don’t care. It’ll fix all this and make it easier for us to go on.† â€Å"You would care,† he said, voice deadly calm. â€Å"You say you wouldn’t, but you would.† â€Å"Not if it protects you.† â€Å"Protecting me doesn’t matter.† â€Å"Damn it, it does!† I yelled, lunging forward. I drove my fists – lightly – into his chest, and all the emotion that had been building up throughout this argument suddenly burst out. â€Å"Don’t you get it? I have to protect you! If anything happens to you – if I’m responsible for anything happening to you – it will kill me. It. Will. Kill. Me. I can’t handle that. I can’t handle anything happening to you. It will kill me!† I stopped my yelling and met Seth’s eyes. Neither of us said anything. And as he stared down at me, I knew what he was thinking. Because I was thinking exactly the same thing. I had just given voice to what Hugh had said, what Seth had been worried about. In my outburst, I’d changed the balance of risk. It wasn’t about Seth hurting. It was about me hurting. Gently, he reached out and caught my wrists. He removed them from his chest and let go. Backing up, still not speaking, he picked up his clothes and began dressing. I stayed where I was, naked and frozen. â€Å"Seth†¦Ã¢â‚¬  I said slowly. â€Å"I didn’t mean it.† â€Å"It’s okay, Thetis,† he said, fastening his pants and not meeting my eyes. â€Å"I understand. I’m sorry. I’m sorry I pushed you.† â€Å"No, no†¦it’s not†¦Ã¢â‚¬  â€Å"It’s okay,† he repeated. His voice was so, so neutral. So, so steady. It wasn’t natural. â€Å"Really. But I think I need to go. I think it’s better for both of us, and God only knows you have enough going on without me to worry about.† I felt tears starting to fill my eyes. â€Å"I didn’t mean†¦Ã¢â‚¬  â€Å"I know what you meant,† he said. He straightened his shirt and finally looked at me. â€Å"But seriously†¦I should leave. We’ll talk†¦I don’t know. We’ll talk later.† He held out his hand, like he might touch my cheek, and then let it drop. With another sigh, he said good-bye and left. I stood exactly where I was, still not moving. My heart felt like it had just had acid thrown on it. It was burning and raw. Finally, finally, it all caught up with me. My knees gave out, and I sank to the floor. It was cold and hard against my bare skin. I drew my knees up to me and buried my face in them, wondering what I had done. Part of me screamed to go follow him, to beg him to come back, to tell him we could make love and have everything we had ever wanted. Another part, half-reason and half-pride, held me back. It was that same part that had stopped me from going after Andrew that day back in the garden after we’d fought about the Black Death. I’d let him go and gone out of my way to avoid him after that. When the plague finally came to our town, my bishop was one of the first to leave. I went with him and the rest of our household. Just like in The Masque of the Red Death, there was no true place to hide from sickness. Still, some places were better than others, and my bishop took care to keep to the better places. He survived. Months went by, and stories and rumors trickled in about the town we’d lived in. By that point, I’d grown weary of Geoffrey and decided it was time for me to move on. I got permission from my archdemon for a transfer to Florence and sneaked out of Geoffrey’s house one night to make the long journey. Our old town was along the way, and a week later, I passed through it. A plague town wasn’t quite like what modern people might imagine. It wasn’t as though there were piles of bodies lying in the streets or anything. Not always. After all, Europe had survived the Black Death in the end, and civilization had still functioned through the worst of it. Crops were still grown, houses still built, babies still born. But the town seemed quieter and more melancholy than when I’d lived there. Andrew wasn’t at the church when I stopped by, and an old man tending the grounds told me that Andrew was off helping some of his parishioners in one of the poorer districts. I found him there, inside the home of a brewer. The brewer had a large family – eight children – as well as a couple of brothers living with him. The house was small and cramped and filthy. Everyone in it was sick except for the brewer’s wife who wearily tried to help Andrew take care of her family. â€Å"Cecily?† he asked in astonishment when he saw me. He was kneeling by a teenage boy. Something inside my chest blossomed with both joy and relief. Andrew was alive. He’d stayed, fought disease, and won. I strode forward and knelt beside him. The wife, giving water to a small girl, watched me uneasily. I wasn’t in silk or anything, but I was clearly from a different class than theirs, and she didn’t entirely know how to treat me. â€Å"You’re alive,† I breathed. â€Å"I’ve been so worried. So worried I’d never see you again.† He smiled that gentle smile of his, and I saw more lines around his eyes than I’d seen before. â€Å"God didn’t want to separate us quite yet,† he said. I looked down at the boy. I’d figured Andrew was feeding him or something, but I realized then that the priest was actually giving him last rites. The boy wore no shirt, and I could see on his neck and in his armpits the tell-tale dark pustules that had given the plague its name. The plague usually did what it was going to do in about a week, but from his emaciated look, you would have thought he’d been dying for years. His eyes were fever-bright, and I didn’t know if he even knew we were there. Bile rose in my throat, and I averted my eyes. Standing up, I told Andrew, â€Å"I’ll let†¦I’ll let you finish this and wait outside.† I left the house, going out to where it was warm and things weren’t dying. A while later, Andrew found me. I didn’t ask if the boy was still alive. Instead, I said, â€Å"How many of them live? Out of all the ones you stay and risk your life for, how many of them actually survive?† He shrugged. â€Å"Three-quarters. Sometimes half, if they’re very young or very old.† â€Å"Half,† I repeated flatly. â€Å"That’s not very good.† â€Å"If one more person lives because of me, then that’s very good.† I looked at that confident, serene face and sighed. â€Å"You’re so damned frustrating.† He smiled. I sighed again. â€Å"What can I do to help?† The smile disappeared. â€Å"Don’t make light of this, Cecily.† â€Å"I’m not. Tell me what to do.† And that was how I found myself playing nurse in a small town in backwoods England. Honestly, there wasn’t anything glamorous one could do to fight the plague. It was all about basics, keeping the people clean and supplied with as much food and water as they could take in. The rest was in the hands of their immune system and – if you believed Andrew – God. When my patients began declining past the point of no return, I usually stopped helping. I couldn’t stand to watch and left them to Andrew and his prayers. But sometimes I’d see people come back around, people whom I’d given up on, and then I could almost believe there was a higher power at work. At least, I believed that until Andrew got sick. It started slowly at first, a fever and aches, but we both knew what that meant. He ignored it and kept working until the symptoms began compounding. Finally, he couldn’t fight it. Neglecting my other patients, I devoted myself fully to him. â€Å"You should help others,† he told me one day. His skin was pink and blotchy, and he was starting to get the dark spots around his lymph glands. Through all the sickness and fatigue, he was still beautiful to me. â€Å"Don’t worry about me.† â€Å"I have to worry about you. No one else is.† It was true. Andrew had helped so many, but no one had come to his side, despite the fact that plague survivors tended not to catch it again. â€Å"It doesn’t matter,† Andrew told me, voice frail. â€Å"I’m glad they’ve survived.† â€Å"You will too,† I said obstinately, even though the signs were starting to suggest otherwise. â€Å"You have to go on so you can keep doing your annoying good works.† He managed a smile. â€Å"I hope so, but I think my time in this world may be drawing to a close. You, though†¦Ã¢â‚¬  He looked at me – truly looked at me – and I was astonished at the love I saw there. I knew he’d been attracted to me, but I’d never expected this. â€Å"You, Cecily†¦you won’t get sick. You will go on, strong and healthy and beautiful. I can feel it. God loves you.† â€Å"No,† I said sadly. â€Å"God hates me. That’s why he lets me keep living.† â€Å"God only gives us tasks he knows we can handle. Here, take this.† He touched the gold cross around his neck, but he was too weak to take it off. â€Å"Take it when I’m gone.† â€Å"No, Andrew, you won’t – â€Å" â€Å"Take it,† he repeated in as firm a voice as he could manage. â€Å"Take it, and whenever you see it, remember that God loves you and knows that no tragedy you face is ever too much for you to bear. You are strong. You will endure.† Hot tears spilled down my cheeks. â€Å"You shouldn’t have done this,† I told him. â€Å"You shouldn’t have helped them. You would’ve lived if you hadn’t.† He shook his head. â€Å"Yes, but then I wouldn’t have been able to live with myself.† Andrew lingered a few more days after that. I stayed with him, but every moment of it was agony. I hated watching what happened to him and was more convinced than ever that there really was no benevolent power looking after humans. He died peacefully and quietly, much as he’d lived. Another priest came to administer last rites when it happened, and Andrew’s final conscious moments reflected hope and absolute faith in what would come next. I stayed to make sure the funeral arrangements were taken care of, not that there was much fanfare or anything. There were no viewings or fancy funeral halls in those days – at least not for men like him. I soon left England for the continent, and after a while, the pain of his death began to take on a new form. Oh, I still missed him – still burned and ached and felt like part of me had been ripped away. But added to that, guilt was starting to create a pain of its own. I felt like I should have taken better care of him. I should have insisted on him leaving with me when the plague came. Or maybe I should have gotten my hands dirtier while helping him tend the sick; it might have kept him away from whomever had infected him. Florence was a beautiful city, on the verge of the Renaissance when I got there. Yet even while living amongst all that splendor and art, Andrew’s death tormented me for many years, the pain of guilt and missing him digging into my heart. It never entirely went away, but it did lessen – it just took a really, really long time. As Hugh had said, a long life simply means having more time to mourn. How to cite Succubus Dreams CHAPTER 20, Essay examples

Development Plan for the Project on Corpora Sample for Students

Question: Discuss about the Project Development Plan. Answer: The rationale and scope of the project Corpora is central to the discipline of applied linguistics which is one of the most relevant source of the information and academic research and study that has been conducted by various linguists over the last couple of years (Crossley, Salsbury and Mcnamara 2014). The collocation of the (verbs+ phrasal verbs) is the context of this collocation project that will determine the the interaction between phrase structure rules. The scope of this project entails the collocation in textbooks, which must be incorporated and available for the further analysis and assessment of the morphological structures of the word. The context of compositionality and its impact on the syntactical structure eventually can be designated from the collective corpus, which has been recorded for several years. The aim and objective of this study will determine the perspective of the associating the concepts of structural linguistics along with the collocation project of applied linguistics (Patterson 2015). Research questions The relevant research questions are as follows: How are the parts-of-speech tagging being acquired as the tool to identify and mark the verb collocations in textbooks through the extensive corpus available in BNC? What are the aspects of identifying and correlating the verbal-prepositional verb categories in textbooks with the aid of the concordances? How can the allocation criteria and occurrence of verb and phrasal verb as a combined process be marked in the available corpus? How can the paralinguistic discourse and the associated phrasal structure in BNC or AntConc recover the grammatical tendencies of verb-phrasal verb collocations found in textbooks? Approach of the project on corpora The approach to be followed in regards to the assessment frequency and collocation on textbook is essentially based on both the quantitative approach after analysis a primary data collection method. Frequency filter will be the type of quantitative approach used for assessing the collocation of word and morphological aspect (Gouws 2015). On the other hand, another quantitative technique, which will be applied for the determination of the assessment, is the selection of the mean and frequency of the collocating and focal word used to formulate the specific result. On the other hand, the approach of the project on corpora for the selection of the different allocating words used for different native speakers is essentially important for acknowledging the methods as used in the textbooks of different language (Patterson 2015). The corpus tools to be used In order to accelerate the research on the collocation of the devices which are to be used for developing a project plan on the collocation of the words the aid from the British National Corpus systems will determine the frequency that are used in the speech variation of the individual. Moreover, the purpose of concordances shall be met with the devices like AntConc, which will specifically help in coordinating and comparing the data. Project objectives and anticipated contribution to the area explored The transparency of the collocation, which has often been accepted as a reason for the encouragement to the researchers, will look into the perspective of computational linguistics. In fact, the reinforcement of the corpus linguistic research can be cited as the reason for the application of the language and lexicon analysis in the field of corpora. It is essentially significant of the several studies that are being carried out the language development phenomenon (Macis and Schmitt 2016). Reference Crossley, S.A., Salsbury, T. and Mcnamara, D.S., 2014. Assessing lexical proficiency using analytic ratings: A case for collocation accuracy.Applied Linguistics, p.amt056. Gouws, R.H., 2015. Idioms and collocations in bilingual dictionaries and their Afrikaans translation equivalents.Issues,31. Macis, M. and Schmitt, N., 2016. Not just small potatoes: Knowledge of the idiomatic meanings of collocations.Language Teaching Research, p.1362168816645957. Patterson, K., 2015. An investigation into the Lexical Representations of Metaphoricity using Corpora.

The Truth Behind William Shakespears Hamlet Essay Example For Students

The Truth Behind William Shakespears Hamlet Essay The Truth Behind William Shakespeare’s Hamlet â€Å"A Tragedy must not be the spectacle of a perfectly good man brought from prosperity to adversity. For this merely shocks us†-Aristotle-300bc (pg. 229,Shakespearean criticism, vol. 3)Thesis: William Shakespeare, one of the greatest dramatists in the world, has been famous and well known since the early 1600’s. Some of his greatest works have been reproduced hundreds of times. He wrote poems, sonnets, plays, tragedies, histories, and comedies. Hamlet is one of Shakespeare’s most famed and remembered tragedies. All of Shakespeare’s greatest tragedies have tragic heroes and several dark, disturbing endings. This pattern also includes Hamlet. The play of Hamlet is completely based on deception, lies, selfishness, and fear. During this essay, I will specify key incidents throughout the play to prove that tragic heroes have tragic endings, that had the truth been told time and again than many deaths could have been prevented. Also how Shakespeare places Ophelia in the wrong era, and about miscommunications can affect peoples out look on life. We will write a custom essay on The Truth Behind William Shakespears Hamlet specifically for you for only $16.38 $13.9/page Order now All of Shakespeare’s tragic heroes also have tragic endings. Hamlet, for example, cannot let go of his father’s death; therefore trapping him in a time warp or parallel universe he created himself in his own mind â€Å"He kept pretending he was insane even after he was sure that Claudius killed his father (Pg. 1, The Tragedy of Hamlet, unknown).† Had Hamlet not gone insane in the first place, maybe he would not have died or had his stepfather attempt to kill him.If only Hamlet had told others aside from Horatio the truth about him knowing of his fathers murder than perhaps Hamlet may have had some hopes of survival. Yet right off the bat the play is opened with two immediate lies: one, Hamlet’s father was murdered by his brother, not of natural causes; two, Hamlet learns the truth and also tells no one of it or that he is just pretending to be crazy. Hamlet lies, his uncle lies, Ophelia lies, Ophelia’s father Polonius lies to her, Laertes, Hamlet’s friend’s lie to him, the priest lies at Ophelia’s burial, and even his mother Gertrude lies of her love to the uncle/husband Claudius. Every one lies about something significant in the duration of the play. All of the characters lost their true love, sanity, families, and worst of all, they lost themselves. In the end, no one won accept Fortinbras. George Stubbes states that in all of his (Shakespeare’s) noble passions, the female characters are out of their timelines. They do not fit into their surroundings with the women of the period that they are supposed to be written in. In Shakespeare’s plays, â€Å"almost all his young women (who are designed as good characters) are made to behave with modesty and decency peculiar to those times, and which are of such pleasing simplicity as seem too ignorant and unmeaning in our well taught knowing age †. (George Stubbes, Shakespearean Criticism, Vol. 1, Pg. 76). Yes, Ophelia does carry those characteristics. She behaves like a well-educated, respected women, and as a crazy whore in others. Shakespeare places her in one extreme to the next; than he has her commit suicide due to her fathers death and or perhaps due to what she thinks is the loss of her true love Hamlet. No one really knows for sure. Sir Arthur Quiller-Couch quotes Aristotle numerous times to make it clear how he feels about Shakespeare’s tragedies. â€Å"A hero of Tragic Drama must, whatever else he miss, engage our sympathy; that, however gross his error or grievous his frailty, it must not exclude our feeling that he is a man like ourselves† -Sir Arthur Quiller-Couch. Some also say Shakespeare used a lot of miscommunication in his tragedies to insure the downfall of the hero. I believe if Hamlet would have just told his mother straight forward how he felt and what he knew for a fact about the death of his father then maybe he too would be alive. Instead he yells at her â€Å"frailty thy name is woman!† (14 Act 1 Scene 2 Line 146), and never really fills her in on the truth. Ophelia may not have killed her self if she only knew how Hamlet really felt about her. Hamlet never just told Ophelia his love was real and she never asked about what her father told her when stating he didn’t love her and accused Hamlet of using her. â€Å"I loved Ophelia. Forty thousand brothers could not with all their quantity of love make up my sum†(131 Act 5 Scene 1 Line 272)- to bad she never really knew and that neither did their families till the end. .u15239924c50bb60b388282671318943b , .u15239924c50bb60b388282671318943b .postImageUrl , .u15239924c50bb60b388282671318943b .centered-text-area { min-height: 80px; position: relative; } .u15239924c50bb60b388282671318943b , .u15239924c50bb60b388282671318943b:hover , .u15239924c50bb60b388282671318943b:visited , .u15239924c50bb60b388282671318943b:active { border:0!important; } .u15239924c50bb60b388282671318943b .clearfix:after { content: ""; display: table; clear: both; } .u15239924c50bb60b388282671318943b { display: block; transition: background-color 250ms; webkit-transition: background-color 250ms; width: 100%; opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #95A5A6; } .u15239924c50bb60b388282671318943b:active , .u15239924c50bb60b388282671318943b:hover { opacity: 1; transition: opacity 250ms; webkit-transition: opacity 250ms; background-color: #2C3E50; } .u15239924c50bb60b388282671318943b .centered-text-area { width: 100%; position: relative ; } .u15239924c50bb60b388282671318943b .ctaText { border-bottom: 0 solid #fff; color: #2980B9; font-size: 16px; font-weight: bold; margin: 0; padding: 0; text-decoration: underline; } .u15239924c50bb60b388282671318943b .postTitle { color: #FFFFFF; font-size: 16px; font-weight: 600; margin: 0; padding: 0; width: 100%; } .u15239924c50bb60b388282671318943b .ctaButton { background-color: #7F8C8D!important; color: #2980B9; border: none; border-radius: 3px; box-shadow: none; font-size: 14px; font-weight: bold; line-height: 26px; moz-border-radius: 3px; text-align: center; text-decoration: none; text-shadow: none; width: 80px; min-height: 80px; background: url(https://artscolumbia.org/wp-content/plugins/intelly-related-posts/assets/images/simple-arrow.png)no-repeat; position: absolute; right: 0; top: 0; } .u15239924c50bb60b388282671318943b:hover .ctaButton { background-color: #34495E!important; } .u15239924c50bb60b388282671318943b .centered-text { display: table; height: 80px; padding-left : 18px; top: 0; } .u15239924c50bb60b388282671318943b .u15239924c50bb60b388282671318943b-content { display: table-cell; margin: 0; padding: 0; padding-right: 108px; position: relative; vertical-align: middle; width: 100%; } .u15239924c50bb60b388282671318943b:after { content: ""; display: block; clear: both; } READ: Tobacco Companies and thier ethics EssayHamlet is a prime example of a piece of Shakespeare’s finest and most memorable works. During Hamlet the entire family dies and the kingdom is taken over by the enemy. No one lives on to live happily ever after and no one continues the legacy. Hamlet never becomes king, his mother does not see the light until it is to late, Ophelia does not get prince charming and no one wins in the end. The tragedy of Hamlet in the end lead to a tragic, gory ending for all who were involved and Shakespeare never gave any real hope from the get go. All of Shakespeare’s tragedies have the main characters die and every one who is left is unhappy and never the same after the traumatic experience which also is held true in Hamlet. Which all-just goes back to all tragedies have tragic heroes that in turn have tragic endings. Shakespeare had system that worked and he stuck to it, if you observe and really read between the lines in MacBeth and Romeo Juliet, than you will see that all of the basics of the plots are similar and relate. In fact, he was a genius in my opinion to have the ability to camouflage the same basic skeleton of a story and reproduce it repeatedly as something different and new. Shakespeare had a gift to have the ability to just produce the tragedies and teach people a lesson in life of what is wrong. He had the ability to wake people up to the reality of life and what is going on around them. Stephen King stated once in an interview that there are no new stories just, just William Shakespeare’s original masterpieces retold and rewrote. In conclusion, I feel that William Shakespeare is an extr emely talented individual and his writings all have a valuable lesson to be taught. His priceless works will be reproduced and treasured for centuries to come. Bibliography:Citing-Aristotle-Shakespearean Criticism, Vol.3 PG, 229-300bc, Temple High Library-Tragedy of Hamlet-Unknown, HTTP://www.planetpapers.com/count.cgi (If this doesn’t directly work try planet www.papers.com and search for Hamlet)-George Stubbes- Shakespearean Criticism, Vol. 1 PG, 7 (essay date 1813)-Stephen King-interview I saw one day on a program on AE about the top 100 people of the century.

Town Life in Australia essays

Town Life in Australia essays There are three periods in the growth of housing development; the first stage is the Log-hut. Thus also known as the weatherboard cottage, and eventually is taken over by the second and third stage brick and stucco. The log-hut stage is well past its time. The colonists liked to live in their own home on their land, so they take advantage of this by using building societies to borrow money and mortgage loans. Architects are not trained in their field so most houses are more practical than beautiful and most colonists cannot afford to ornament their home and they see it as wasteful to do so. Large houses such, as Manor house and halls were not built in Australia for any less than 10,000 pounds, in England the cost was only 4-5000 pounds, men from England who built there houses wanted to build them exactly the way their houses were in England with flag staffs in their gardens. Flags were a symbol of that the man had character about himself. Most houses that were put up for sale were built poorly and cheaply in Australia, so the seller could make quick profit but within months these houses were ruins. The favourite of houses were built on an oblong block and were found a lot in Adelaide, amongst the middle and upper class society. These houses were usually two stories. Almost every house was detached from another and had its own garden of English fashion, but was hard to maintain in summer due to the heat. Gardens were also hard to maintain due to the high price of labour, so people tended to keep their gardens small. The rich liked to have large garden on their large properties but when they died it was cut up into small blocks and sold off making big profit Land speculation was a feature of Australian life and was difficult to lose money by it. Social relations began talking about family relations between husbands and wi ...

Statement for application to university Essay Example | Topics and Well Written Essays - 250 words

Statement for application to university - Essay Example I could not especially imagine leaving all of my friends and relationships with professors behind. However, I arrived at Illinois Institute of Technology(IIT) which was ranked as one if the top ten overall best Colleges among the United States National University. Being a private university, Illinois Institute of Technology provide a wide variety of science courses. This includes; engineering degree programs, architecture, food process engineering, telecommunication and software engineering. Following discussion with our dean professor, I realized that Illinois Institute of Technology (IIT) would be the best college to prepare me for my civil engineering career. I believe that in Illinois Institute of Technology, I will be able to gain first-hand experience through their internships andcampus academic launches and events. I discovered that each year, the campus organizes a launch in which students can showcase their homemade devices as they catapult their invention along the streets of Chicago. In addition, the school provides a technological curriculum where students get distinctive and relevant education in a scientific and technological environment where professional knowledge creation and innovation is advocated and emphasized. In addition, the university has launched a system where students can experience interprofessional projects programs like last year, one of the college’s student launched a perfect power system which basically tried to eliminate costly outages, power disturbances that were power related and alternatively control greenhouse gas secretion. Learning in IIT will make me a graduate not only on a viable job prospect, but also as a well-rounded and learned adult who can make diverse and valuable contributions to my community. Illinois Iinstitute of Technology would be the learning institution for

Financial Performance of The BEST Pty Ltd Research Paper

Financial Performance of The BEST Pty Ltd - Research Paper Example The culprit can be seen to be the ballooning of expenses. It should be noted that depreciation and amortization registers 165% growth while other selling and administration expense records higher growth of 178%. To make matters worse, finance costs more than tripled at 355% from 2003 to 2007. Turning to the balance sheet accounts of the business organization, it should be noted that the mounting finance costs can be traced to the ballooning of assets which is unmatched by the growth in equity. This indicates that the company's acquisition of asset is financed by the more costly liabilities. Logically, when Best resort to its creditors to finance the acquisition of its assets, it incurs the obligation to pay interest at specific intervals thus boosting its finance cost. The company's cash account grew weakly at 18% during the seven-year period. Table 2 highlights the financial ratios of Best from 2003 to 2007 utilizing the selected data provided. In terms of profitability, the year 2007 saw a decline both in return to assets and return to ordinary shareholders. It should be noted that this decline indicates the company's inability to create net income which adds to shareholder wealth and value to its assets. From the high return of shareholder's equity ratio of .25 in 2006, this slumped to .12 in 2007 meaning that for every dollar invested in the company's stocks, a shareholder gets 12 cents in 2007 compared to the 25 cents in 2006. Asset turnover also declined from 0.53 to 0.47 signaling lower asset utilization and possibly an inability to maximize the company's resources. Profit margin ratio is also in decline from .18 to 0.09. The decrease in profitability ratios from the good performance in 2006 can be an indication of company's difficulty of providing profits to its stakeholders. Consistent with the observation above, the company's debt to asset ratio has steadily increased from 2003 to 2007. In fact, during 207 debts finance 65% of the company's assets leaving only 35% to Best's stockholders. Logically, this will mean that the company is paying off higher interest expenses which is also reflected in its dwindling times interest earned ratio. Conclusion The trend analysis and financial ratio analysis brings out problems in profitability together with the company's riskier resource structure which leads to mounting financial costs. It is recommended that the company particular focus in improving in these aspects through more efficient resource management and managing costs effectively. However, since the analysis is only grounded in the selected financial data at hand, it should also be stressed that it does not show the complete picture. For one, the performance of Best should be benchmarked with its competitors in order to know where it stands. The slower performance in 2007 could also be brought be external factors which are beyond the business organization. Thus, understanding the trends in the business environment will also be important as well. In assessing and evaluating the performance of a company, quantitative and qualitative information should always be utilized hand in hand.

Why do I want to become a U.S Parks Police officer Essay

Why do I want to become a U.S Parks Police officer - Essay Example Moreover, it maintains fairness and accountability in all its endeavors. Personal conduct and ethical behavior constitute its fundamental principles; and as a consequence, it requires all its personnel to maintain the highest standards of conduct (Mission and Value Statement). This extraordinary and truly awe inspiring organization is dedicated to the safeguarding of human life. Furthermore, it provides the excellent service to the public, the Department of the Interior and the National Park Service. Another important feature of this institution is that its personnel hold themselves accountable to each other and the public whom they serve (Mission and Value Statement). The United States Park Police was established in the year 1791, by George Washington, the first president of the US. Its inception was prior to that of the Department of the Interior and the National Park Service. Subsequently, the US Park Police was rendered a branch of the Department of the Interior and the National Park Service. Its jurisdiction extends to all Federal Park Service areas in the US, and specific Federal and State lands. Some of the important areas to which the United States Park Police extends its exemplary services are Washington DC, New York City, San Francisco and the metropolitan areas of California (The United States Park Police). This organization performs several significant duties. For instance, it promotes and implements the objectives and goals of the Department of the Interior and the National Park Service. It achieves this laudable objective by providing exemplary law enforcement, in order to protect human life, national treasures, democratic icons, and natural resources (Mission and Value Statement). I fell under the charm of these blue clad protectors of society at a very early age. Moreover, I had opportunity to see these supermen and superwomen in action, on several occasions.

Conjunto com bancos de dados relacionais

Conjunto com bancos de dados relacionais Resumo. A programaà §Ãƒ £o orientada a objetos à © utilizada hà ¡ muito tempo em conjunto com bancos de dados relacionais, que à © considerado o padrà £o adotado pelo mercado hà ¡ anos. Entretanto, a passagem de dados de um objeto para uma tabela de um banco de dados relacional, do ponto de vista conceitual, costuma ser incompatà ­vel devido as adaptaà §Ãƒ µes realizadas no modelo relacional para implementar integridades referenciais, facilitar consultas, etc. Por isso, outras tecnologias foram desenvolvidas para tornar a persistà ªncia de objetos em bancos de dados relacional mais natural. Neste trabalho, sà £o apresentadas duas tecnologias com este objetivo: DB4O, que utiliza um banco de dados orientado a objetos, armazenando diretamente a instà ¢ncia da classe no banco de dados e o framework JPA, que mapeia os objetos e seus atributos para suas respectivas tabelas no banco de dados relacional. A ferramenta Eclipse e o banco de dados MySQL foram utilizados para a impleme ntaà §Ãƒ £o das aplicaà §Ãƒ µes neste trabalho. Palavras-chave: JPA, DB4O, Banco de Dados nà £o convencional, Mapeamento Objeto-Relacional, Banco de Dados Orientado a Objeto, MySQL. 1 Introduà §Ãƒ £o 1.1 Motivaà §Ãƒ £o O crescente avanà §o do paradigma de programaà §Ãƒ £o orientado a objetos tornou necessà ¡rio o estudo acerca de novas formas de persistir os dados de um sistema, pois o modelo relacional nà £o à © diretamente compatà ­vel com o paradigma, visto que nà £o foi feito pensando para orientaà §Ãƒ £o a objetos. Existem duas abordagens que sà £o o objeto de estudo deste trabalho para tratar persistà ªncia de dados: bancos de dados orientados a objetos e mapeamento objeto-relacional. Bancos de dados orientados a objetos suportam o armazenamento de objetos complexos, mantendo sua estrutura, ao contrà ¡rio dos bancos relacionais que desconhecem o conceito de objeto. Objetos sà £o abstraà §Ãƒ µes do mundo real e a manipulaà §Ãƒ £o destes à © mais simples de entender quando comparado à  s abstraà §Ãƒ µes de um banco de dados relacional. Embora nà £o seja muito utilizado comercialmente, bancos de dados orientados a objeto và ªm evoluindo bastante, permitindo aplicaà §Ãƒ µes cada vez mais robustas e atuando principalmente nas à ¡reas de manipulaà §Ãƒ £o de objetos complexos como espaciais, som e và ­deo. O mapeamento objeto-relacional justamente serve para mapear os objetos em tabelas de um banco de dados relacional, utilizando todas as vantagens desse banco de dados e sendo transparente para o usuà ¡rio. Isto facilita o trabalho do desenvolvedor e permite uma melhor visualizaà §Ãƒ £o da relaà §Ãƒ £o entre os objetos e as relaà §Ãƒ µes do banco reacional. Este trabalho à © resultado da primeira parte da disciplina ministrada pelo professor Sean W. M. Siqueira no primeiro semestre de 2009. A disciplina trata de bancos de dados nà £o convencionais, e faz parte do currà ­culo de Bacharelado em Sistemas de Informaà §Ãƒ £o da Unirio (Universidade Federal do Estado do Rio de Janeiro) como disciplina optativa da linha de Banco de Dados. 1.2 Objetivo O objetivo deste trabalho à © apresentar duas tecnologias voltadas para o desenvolvimento orientado a objeto (DB4O e JPA) e como realizar suas respectivas implementaà §Ãƒ µes que testam a persistà ªncia em um banco de dados orientado a objeto, mais especificamente o DB4O, e a persistà ªncia utilizando o mapeamento objeto-relacional, atravà ©s do framework JPA. Apà ³s a demonstraà §Ãƒ £o destas duas implementaà §Ãƒ µes, foi realizada uma comparaà §Ãƒ £o entre as duas abordagens, incluindo a abordagem de desenvolvimento tradicional. 1.3 Modelo de classes Para a aplicaà §Ãƒ £o, desenvolvemos o seguinte modelo de classes: 1.4 Estrutura do Relatà ³rio O relatà ³rio està ¡ estruturado em elementos prà ©-textuais, 5 (cinco) capà ­tulos, e elementos pà ³s-textuais. Na primeira parte hà ¡ itens como sumà ¡rio e à ­ndices. Em seguida, està £o os capà ­tulos que està £o brevemente descritos a seguir, e, por fim, os elementos pà ³s-textuais. capà ­tulo 1 explica a motivaà §Ãƒ £o e o objetivo para este trabalho. capà ­tulo 2 apresenta o passo-a-passo para a implementaà §Ãƒ £o de uma aplicaà §Ãƒ £o utilizando a tecnologia DB4O. capà ­tulo 4 apresenta o passo-a-passo para desenvolvimento de uma aplicaà §Ãƒ £o utilizando o framework JPA. capà ­tulo 4 apresenta as conclusà µes do presente trabalho, comparando as tecnologias envolvidas. capà ­tulo 5 apresenta as referà ªncias bibliogrà ¡ficas. 2 Etapas do desenvolvimento de aplicaà §Ãƒ £o utilizando DB4O Este capà ­tulo apresenta o passo-a-passo para desenvolvimento de aplicaà §Ãƒ £o utilizando o DB4O. 2.1 Softwares utilizados Os seguintes softwares foram utilizados para a implementaà §Ãƒ £o dos servià §os. Eclipse JDK 6 2.2 Introduà §Ãƒ £o ao DB4O banco de dados orientado a objetos DB4o à © um software open source de fà ¡cil instalaà §Ãƒ £o e baixa necessidade de recurso, uma vez que ele nà £o à © um SGBD e por isso nà £o possui interface grà ¡fica e outras funcionalidades de gerenciamento. DB4o foi feito para poder ser utilizado em plataformas desktop, celulares, servidores, contanto que o ambiente seja orientado a objetos. Alà ©m disso, ele nà £o exige a necessidade de nenhuma programaà §Ãƒ £o ou ferramenta para mapear a orientaà §Ãƒ £o a objetos para o modelo relacional, pois ele faz uso da orientaà §Ãƒ £o a objetos a seu favor, permitindo que o modelo seja uma representaà §Ãƒ £o fiel do banco de dados. DB4o nà £o possui instalaà §Ãƒ £o. No desenvolvimento realizado, utilizando o Eclipse, a à ºnica aà §Ãƒ £o necessà ¡ria para instalar o DB4o foi importar o arquivo .jar como uma biblioteca para o eclipse. Apà ³s isso, os pacotes com os objetos necessà ¡rios para persistir os dados no DB4o està £o prontos para serem utilizados. Como o DB4o nà £o necessita de mapeamento, tambà ©m nà £o necessita de modelo là ³gico e fà ­sico, visto que ele à © totalmente baseado na orientaà §Ãƒ £o a objetos, logo, o banco segue o modelo de classes. 2.3 Metodologia de desenvolvimento Para realizar o desenvolvimento da aplicaà §Ãƒ £o, primeiro define-se as classes POJO (Plain Java Object). Os objetos que serà £o armazenados no DB4O sà £o pertencentes a essas classes de objetos implementadas no inà ­cio do desenvolvimento. Depois, desenvolve-se uma classe que permite inserà §Ãƒ £o, consulta, alteraà §Ãƒ £o e exclusà £o de objetos do banco. Para isso, à © necessà ¡rio importar diversas bibliotecas externas pertinentes ao desenvolvimento para DB4O e tambà ©m abrir o arquivo onde os objetos serà £o armazenados, instanciando um objeto da classe ObjectContainer, que representarà ¡ o banco de dados. Para inserà §Ãƒ £o de objetos no DB4O, utilizamos o mà ©todo set da classe ObjectContainer, que armazena um objeto passado como parà ¢metro no DB4O. Para consulta de objetos no DB4O utilizamos o mà ©todo QueryByExample, que utiliza um objeto passado como parà ¢metro como exemplo e busca o objeto semelhante no DB4O. O resultado à © armazenado em uma varià ¡vel do tipo ObjectSet. Para alteraà §Ãƒ £o de objetos no DB4O à © necessà ¡rio consultar o objeto que se deseja alterar e armazenà ¡-lo em um objeto da classe desejada. Depois, alterar os dados atravà ©s do mà ©todo set definido na classe POJO e colocar no DB4O atravà ©s do mà ©todo store, definido na classe ObjectContainer. Para a deleà §Ãƒ £o de objetos no DB4O à © necessà ¡rio consultar o objeto que se deseja remover e utilizar o mà ©todo delete, definido na classe ObjectContainer. 2.4 Passo a passo para implementaà §Ãƒ £o de uma aplicaà §Ãƒ £o utilizando o DB4O O DB4O consiste em um arquivo .jar apenas, entà £o o primeiro passo (apà ³s realizar o download do DB4O) à © verificar qual .jar utilizar. Nesse caso, utilizamos o DB4o-7.4-java5.jar, pois à © o indicado para que utiliza o JDK 5 ou 6. 3 Etapas do desenvolvimento de aplicaà §Ãƒ £o utilizando JPA Este capà ­tulo apresenta o passo-a-passo para desenvolvimento de aplicaà §Ãƒ £o utilizando o framework JPA. 3.1 Softwares utilizados Os seguintes softwares foram utilizados para a implementaà §Ãƒ £o dos servià §os. Eclipse Ganymede versà £o 3.4.0 (possui OpenJPA nativo) JDK 1.5 Hibernate MySQL 3.2 Introduà §Ãƒ £o ao JPA O Java Persistence API (JPA) à © um produto implementado pela SUN, especificado para oferecer uma persistà ªncia transparente de objetos Java. O OpenJPA à © uma implementaà §Ãƒ £o disponibilizada como software livre, desenvolvida pela Apache Software Foundation baseada no JPA produzido pela SUN. O JPA define um padrà £o de mapeamento dos objetos do modelo orientado a objetos para o modelo relacional, trazendo as vantagens dos dois mundos: a programaà §Ãƒ £o orientada a objetos, paradigma consagrado de desenvolvimento e os bancos de dados relacionais, igualmente consagrados em termos de utilizaà §Ãƒ £o e desempenho. Alà ©m disso, a tecnologia possui amplo suporte pela maioria dos das grandes empresas do mercado: Apache, Oracle, BEA, JBoss. As camadas que compà µe o framework para o mapeamento objeto-relacional utilizando JPA podem ser visualizadas na Figura 14: O JPA provà ª uma API simples e padronizada de persistà ªncia para Java SE e Java EE. Essa padronizaà §Ãƒ £o permite a modularizaà §Ãƒ £o do provedor JPA que à © oferecido em diversas versà µes por và ¡rios desenvolvedores, dando a opà §Ãƒ £o de escolha o usuà ¡rio final. A padronizaà §Ãƒ £o da tecnologia permite o aumento da produtividade e o uso de anotaà §Ãƒ µes (Annotations) simplifica a configuraà §Ãƒ £o das entidades. Seus objetos sà £o baseados em classes POJO (Plain Old Java Objects) e sua implementaà §Ãƒ £o oferece suporte a heranà §a e polimorfismo. O JPA à © compatà ­vel com a linguagem de consulta Java Persistence Query Language (JP-QL) que utiliza uma sintaxe prà ³xima a SQL, porà ©m à © voltada para consulta de entidades e suas propriedades, criando independà ªncia em relaà §Ãƒ £o à   modelagem fà ­sica do banco de dados. A JPQL à © capaz de realizar consultas està ¡ticas (named queries) e consultas dinà ¢micas e permite a construà §Ãƒ £o de consultas complexas. Portanto, o JPA à © uma soluà §Ãƒ £o completa para mapeamento e persistà ªncia de objetos, sendo composto pelo modo declarativo de descrever mapeamento O/R, linguagem de consulta e recursos para manipulaà §Ãƒ £o de entidades. 3.3 Metodologia de desenvolvimento Apà ³s a definià §Ãƒ £o do modelo relacional, desenvolvem-se as classes POJO referentes as tabelas no banco de dados. Entà £o se insere as anotaà §Ãƒ µes (annotations) que declaram que a classe possui uma respectiva tabela no banco de dados. Entretanto, ainda à © necessà ¡rio registrar essas classes no arquivo persistence.xml, que serà ¡ utilizado para definir o subconjunto de classes que poderà £o ser gerenciadas. Ao escrever o cà ³digo, deverà ¡ ser instanciada um objeto do tipo EntityManagerFactory passando o arquivo persistence.xml como parà ¢metro. A partir deste objeto, à © criado outro do tipo EntityManager, responsà ¡vel por gerenciar o ciclo de vida das entidades que està £o registradas. Ao iniciar a manipulaà §Ãƒ £o dos objetos, à © necessà ¡rio iniciar uma transaà §Ãƒ £o e entà £o registrar os comandos CRUD para serem executados. Entà £o, ao final, realiza-se o commit ou rollback destas operaà §Ãƒ µes. A Figura 15 resume o fluxo de mapeamento objeto-relacional seguido pelo JPA. 3.4 Passo a passo para implementaà §Ãƒ £o de uma aplicaà §Ãƒ £o utilizando JPA O primeiro passo para iniciar a implementaà §Ãƒ £o de uma aplicaà §Ãƒ £o utilizando o framework JPA à © baixar os arquivos JAR necessà ¡rios para realizar as importaà §Ãƒ µes das classes que serà £o utilizadas no programa. Como serà ¡ utilizado como provedor JPA (Figura 2) o framework de persistà ªncia Hibernate, os seguintes pacotes serà £o necessà ¡rios: Hibernate Core, Hibernate Annotations e Hibernate Entity Manager, que està £o disponà ­veis em http://sourceforge.net/projects/hibernate/files/. No desenvolvimento da aplicaà §Ãƒ £o foram utilizadas as versà µes 3.2.0.GA do Hibernate Core, 3.3.0 GA do Hibernate Annotations e 3.3.1.GA do Hibernate Entity Manager. Cabe salientar que pacotes de outras versà µes do Hibernate podem resultar em falhas e erros inesperados em relaà §Ãƒ £o aos procedimentos realizados neste relatà ³rio. O driver JDBC para o MySQL tambà ©m à © necessà ¡rio e pode ser baixado no site oficial do MySQL, em http://dev.mysql.com/downloads/connector/j/5.1.html. Para o desenvolvimento da aplicaà §Ãƒ £o foi utilizado a versà £o 5.1.7 do driver JDBC para o MySQL. Em posse dos arquivos necessà ¡rios, iniciam-se os passos para o desenvolvimento da aplicaà §Ãƒ £o no Eclipse. 4 Conclusà £o Conforme apresentado, o desenvolvimento utilizando bancos de dados orientado a objetos apresenta diversas facilidades em relaà §Ãƒ £o à   proposta tradicional de desenvolvimento e à   proposta de mapeamento objeto-relacional. Essas vantagens sà £o as seguintes: Modelagem mais real: permite que o seu modelo de classes seja o seu modelo de armazenamento de dados, pois armazena exatamente os objetos como eles foram criados para serem armazenados, sem necessidade de nenhum tipo de transformaà §Ãƒ £o Representaà §Ãƒ £o de dados com formatos varià ¡veis: no relacional, as tuplas precisam ser homogà ªneas e os atributos atà ´micos, enquanto que no OO isso nà £o à © necessà ¡rio. à © possà ­vel ter dados em formatos varià ¡veis. Facilidade de instalaà §Ãƒ £o e utilizaà §Ãƒ £o: à © mais fà ¡cil e rà ¡pido instalar o DB4o do que algum banco de dados relacional, pois nà £o à © necessà ¡rio configurar e criar um banco de dados previamente, nem à © necessà ¡rio realizar um modelo relacional, fà ­sico e là ³gico, pois o prà ³prio modelo de classes à © a representaà §Ãƒ £o dos dados no banco Mas, existem alguns problemas nessa tecnologia. Alguns jà ¡ foram citados anteriormente: Stored procedures: Nà £o existem stored procedures ou triggers, sendo necessà ¡rio programar na aplicaà §Ãƒ £o essas funà §Ãƒ µes, o que pode fazer cair o desempenho do sistema O modelo relacional jà ¡ està ¡ consolidado no mercado, acumulando anos de estudo e aprimoramento, oferecendo bom desempenho, mecanismos de otimizaà §Ãƒ £o, tratamento de concorrà ªncia. 5 Referà ªncias Vasiliev, Yuli, 2008, Querying JPA Entities with JPQL and Native SQL Disponà ­vel em http://www.oracle.com/technology/pub/articles/vasiliev-jpql.html. Apache Software Fundation, Apache JPA Users Guide Disponà ­vel em http://JPA.apache.org/builds/latest/docs/manual/manual.pdf. OLIVEIRA, H.E.M, 2008, JPA Passo a Passo, TDC The Developers Conference 2008 Disponà ­vel em http://www.thedevelopersconference.com.br/arquivos/TDC2008Floripa-jpa-henrique.pdf DB4Objects, DB4O Tutorial Disponà ­vel em: http://developer.db4o.com/files/folders/db4o_74/entry49672.aspx ENGIEL, P., 2008, Comparaà §Ãƒ £o entre as formas de persistir a programaà §Ãƒ £o orientada a objetos

my first ride in a cop car :: essays research papers

The first time I rode in a police car was about a year ago in Myrtle Beach. My friend Richard and I were there for about a week before senior week. On about our third day we found a seller of questionable goods and Richard bought some of his merchandise. Little did we know that it would come back to bite us.   Ã‚  Ã‚  Ã‚  Ã‚  On our way back to our hotel Richard, in his eternal wisdom, said, â€Å"Hey I‘ve got it, let’s go get trashed and wander around!† Of course, I’m always one to get along. So I said, â€Å"Okay!†   Ã‚  Ã‚  Ã‚  Ã‚  We met some lovely young ladies, two blondes and a red head, that we had seen earlier on our way to a club and asked them, â€Å"Hey girls, we’re headed out, you wanna come with?† The reply was not what we expected, one of the blondes, Ashlee, I believe, said â€Å"What do you boys plan on doing?† I replied, â€Å"We’re probably gonna go lick shots and do some other stuff.† The red head, Brianna, then says, in a definite Boston accent, â€Å"Why don’t youse guys come wit us to our hotel?† I give Richard a questioning look and say jokingly, â€Å"Hey man, what if they’re rapists?† Rich then gives me an â€Å"are you a dumbass† look and whispers, â€Å"Do I look like I give a fuck?†   Ã‚  Ã‚  Ã‚  Ã‚  While we were headed to the girls’ hotel we saw our â€Å"friend† from earlier. He stopped us and asked, â€Å"Hey’d you guys like the stuff from the other day?† Both of us shook our heads. â€Å"Want to get some more?† this question was followed by a display of his merchandise. Richard said, â€Å"Okay hook us up.† After money exchanged hands we were once again on our way.   Ã‚  Ã‚  Ã‚  Ã‚  About ten minutes later we arrived at the girl’s hotel and went up to their room. As we entered the other blond, he name was Justice, casually says, â€Å"Just ignore the mess.† All of a sudden, I blurt out, in my best gay impersonation, â€Å"Oh my god this is so messy!† when in reality the room was spotless. This out burst gets a very mixed response, I get laughs from the blondes, Ashlee and Justice, but I think Brianna was confused. Richard just hit me and said, â€Å"Shut the hell up man.†   Ã‚  Ã‚  Ã‚  Ã‚  After a couple of hours of recreational time, Richard yells at me â€Å"Come on man, we gotta go!† We get up to leave and halfway out the door one of the girls, probably Brianna, calls after us, â€Å"Give us a ring!† I reply, â€Å"Yeah okay.